英文片名: Austin Powers 2

中文片名: 超级大贱谍 奥斯汀威力

上映: 1999

AUSTIN POWERS 2:
The Wrath of Khan
By
Mike Myers & Michael McCullers

                                                                                       
                                      SECOND DRAFT - 6/25/98

OPEN ON BLACK:

MUSIC:  dramatic timpani roll and sting

The following title appears:
                                            
                                     AUSTIN POWERS 2
                                    THE WRATH OF KHAN!

MUSIC:  changes to incidental Muzak

We see a title scroll of the following narration:
                                            
                                      NARRATOR (VO)
         The producers would like to point out that this movie is in no way related to
         or inspired by the original Star Trek: The Wrath of Khan.  It shares neither
         characters nor setting nor action with the film of that name.

MUSIC:  dramatic timpani roll and sting

                                  A New Line Presentation

MUSIC:  changes to incidental Muzak

                                      NARRATOR
         As time goes by it becomes increasingly unclear why the name Wrath of Khan was
         chosen for this film, since it will surely provoke a costly lawsuit.

MUSIC:  dramatic timpani roll and sting

                                Of an Eric's Boy Production

MUSIC:  changes to incidental Muzak

                                        NARRATOR
         Well there you have it, a copyright suit has been filed against us by the
         makers of Star Trek: The Wrath of Khan.  Our counsel informs us that we are
         without legal recourse and therefore, the new name of this film is:

MUSIC:  timpani roll and dramatic sting

                                       AUSTINPUSSY

MUSIC:  changes to incidental Muzak

                                     NARRATOR (cont'd)
         We've just been notified that in order to meet the requirements for the Motion
         Picture Association of America's PG-13 rating, we must, once again, change the
         title of this film.  The new, and hopefully, last title is:

                                     AUSTIN POWERS 2:
                                  THE SPY WHO SHAGGED ME

MUSIC:  timpani roll and dramatic sting

                                        NARRATOR
         In his last adventure, Austin Powers, a swinging spy from the Sixties, was
         unfrozen in the Nineties to battle his archenemy Dr. Evil.  Austin foiled Dr.
         Evil's plan to send a nuclear warhead to the center of the earth and banished
         him into space forever.  Or so he thought.

2  EXT.  HOTEL - NIGHT (ESTABLISHING SHOT FROM FIRST MOVIE).

SUPER:  The French Riviera

3  INT.  HOTEL - HALLWAY

Elegant double doors with a brass plaque reading "Honeymoon Suite." A "Do Not-Disturb" sign hangs
from the handle.

4  INT.  HOTEL SUITE

FROM THE FIRST MOVIE:  Austin and Vanessa snuggle in bed.  She plays with his chest hair.

                                         VANESSA
         I love you, Mr. Powers.

                                         AUSTIN
         And I love you, Mrs. Powers.

SHOT TO MATCH EXISTING FOOTAGE: Austin gets out of bed.  We see Vanessa putting on her robe from
behind, and then EXISTING FOOTAGE: Austin and Vanessa kiss.

                                         VANESSA
         Let's go out on the terrace.  It's a beautiful night, we can look at the stars.

5  EXT.  HOTEL BALCONY

EXISTING FOOTAGE: Austin and Vanessa gaze at the stars.

                                         AUSTIN
         Look how beautiful the night sky
         is.

                                         VANESSA
         Isn't that the big dipper?

                                         AUSTIN
         Yeah, and that looks just like
         Uranus.

                                         VANESSA
         Austin!

                                         AUSTIN
                                        (sheepish)
         Well, you know.

                                         VANESSA
         Hey, I've never seen that big
         star before.

                                         AUSTIN
         Yeah, what is that?

Austin pulls out his telescope and takes a look.

6  AUSTIN'S POV - TELESCOPE EFFECT

7  EXT.  SPACE

EXISTING SHOT: The Bob's Big Boy rocket.

8  INT.  DR. EVIL'S CAPSULE

                                        DR. EVIL
         This isn't over yet, Mr. Powers.  I have one more trick up my sleeve, don't I
         Mr. Bigglesworth?

The frozen Mr. Bigglesworth MEOWS.

9  EXT.  SPACE

The Bob's Big Boy rocket.  Suddenly, a hatch opens in Bob's
rear end and Dr. Evil's silver egg capsule poops out.

10  SFX:  PLOOP!

Capsule begins fiery re-entry to Earth

11  INT.  HOTEL ROOM

Austin comes in and shuts the balcony door.

                                         AUSTIN
         Oh well, I guess it was nothing.

A VANESSA DOUBLE crosses carrying a bouquet of flowers, which obscure her face.

                                         AUSTIN
         Care for some champagne?
                                        (pouring)
         Here's to monotony-- I mean, monogamy!

Vanessa sits at the vanity with her back turned.

                                         AUSTIN
         Hello? Vanessa? What are you
         doing, luv?

                                         VANESSA
                                      (back turned)
         Just putting on my--

As Vanessa turns around she puts her hands up and PULLS OFF HER FACE revealing wires, transistors,
and a speaker where her mouth should be.

                                      FEMBOT VANESSA
                                     (computer voice)
         MAKE-UP!

                                         AUSTIN
                                       (frightened)
         Vanessa, you're a Fembot!

They fight.  Midway through the fight, machine guns pop out of Vanessa's breasts.

                                         AUSTIN
         Machine gun jubblies, how did I miss those?

                                         VANESSA
                                      (robot voice)
         PERHAPS NEXT TIME YOU SHOULD TRY FOREPLAY.

Her machine gun breasts FIRE, spraying the room in SLO-MO.
Then they run out of ammo and CLICK, CLICK.

Austin empties his gun into the robot, but to no avail.  She rushes at him, he gives her a judo
chop, also to no avail.  Then Austin' notices a SELF-DESTRUCI- switch and hits it.

She starts to twitch, her head spins, and she EXPLODES.

Fembot parts fly around the room.  Austin sits on the bed, saddened.  He holds Vanessa's hand,
which has wires hanging out of it.  On one of the fingers is her wedding ring.

MUSIC:  very sad piano

                                         AUSTIN
                                        (very sad)
         I can't believe Vanessa, my bride, my one true love, the woman who taught me
         the beauty of sharing your whole life with another, the person who taught me
         the meaning of love, was a Fembot.  How will I ever go on?
                                         (beat)
         Wait a tic! That means I'm single! Oh, behave!

12  INT.  LOBBY - HOTEL

Rich European guests mill about the luxurious lobby.  Suddenly, Austin dances through naked.  Just
as we are about to see his bits and pieces, a man lifts up his suitcase.

                                         AUSTIN
         Yeah, baby, I'm free! I'm naked and free!

13  SEQUENCE  CREDIT

MUSIC:  Soul Bassanova by QUINCY JONES

PAN UP Austin's NAKED body as he walks down a boardwalk.  Just as the camera reaches that most
sensitive of areas, a credit appears STARRING MIKE MYERS.  Austin gives a big 'who me?' and we
FREEZE FRAME.

14  EXT.  BOARDWALK - FRENCH RIVERA

European types stare and point.  We see Austin from behind.  His bottom half is blocked by a
bicycle.  The bicycle moves away.  Just as Austin's bum is about to be revealed-

A CREDIT APPEARS blocking it.  Austin turns his head around to the camera and puts his hand to his
mouth in an 'oh my!' take and we FREEZE FRAME.

A MAN IN A RAINCOAT flashes Austin, his thingy blocked by a credit.  Austin just laughs...crazy,
man!

Austin goes around a corner.  A moment later he returns, followed by a NUDE MARCHING BAND.

A SIGN on the left side of the screen reads "Warning! Nude Beach".  Austin enters from the left.
We see his naked, hairy torso from the waist up.  Just as he is about to appear from behind the
sign, a...

CREDIT APPEARS MOVING LEFT TO RIGHT Blocking his penis lengthwise as he walks.

15  NUDE BEACH - CREDIT SEQUENCE

A girl sits on a blanket; a HORIZONTAL CREDIT blocks her bare chest.  Austin lays on his back
beside her, trying to be suave; A VERTICAL CREDIT appears.

The wind blows away a kite, revealing a stark-naked girl.  The credit "PRODUCTION DESIGN" blocks
her chest; the credit "BY" blocks her you-know-what.  Austin walks into frame; the "PRODUCTION
DESIGNER'S NAME" disguises his growing interest.

Austin joins a nude volleyball game in progress.  CREDITS appear everywhere to block all possible
combinations of nudity.  People leap in all directions to make saves, causing CREDITS TO APPEAR at
crazy angles.

A pretty girl watches Austin lift weights.  Her boobs are blocked by the "WIRITTEN BY" credit.
Austin lifts a dumbbell.  The credit "MIKE MYERS" sticks out from his waist.  Austin looks proud.

A BUFF NAKED BODYBUILDER joins them.  He lifts a much heavier weight.  A much longer credit sticks
out from his waist: "AND MICHAEL MCCULLERS".  Austin pouts.

Austin runs down the beach, his bum blocked by the credit "DIRECTED BY".  He jumps on a trampoline
and does the splits in mid-air:

FREEZE FRAME AND PAN AROUND LIKE IN THE GAP "KHAKI SWING" AD.  Austin smiles crazily, his penis
blocked by "JAY ROACH."

Austin does a super-duper double flip into his JAGUAR.

                                         AUSTIN
         Shaguar, baby, yeah!

CU on the chrome script on the grill: it reads "Shaguar" where it would normally read "Jaguar".
The car speeds off.

16  FULL SCREEN TV JERRY SPRINGER SHOW

On the stage we see a Klansman father and his Klansman son, a Nazi father and his Nazi son, and
SCOTT EVIL all seated on a panel.

Lower Third Chyron: "MY FATHER IS EVIL AND WANTS TO TAKE OVER THE WORLD"

                                      JERRY SPRINGER
         If you just joined us, today's topic is "my father is evil and wants to take
         over the world".  Now, Bobby, you had something you wanted to share with your
         father before the break.
         
                                          BOBBY
         Dad, I know you're against racemixing and all that, but I met someone...
         
                                        KLANSMAN
         Don't say it!

The crowd WHOOPS.
                                            
                                          BOBBY
         I met someone ...  and he's black.

The crowd goes crazy.
                                            
                                        KLANSMAN
         He?

The Klansman holds his hooded head in his hands.
                                            
                                      JERRY SPRINGER
         Please welcome Tim.

A handsome Blaire Underwood look-alike enters and hugs the Klansman's son.  The crowd screams.

JERRY MOVES TO SCOTT EVIL.

                                      JERRY SPRINGER
         Now Scott, tell us about your father.  Share with us.

                                          SCOTT
         Well he's the head of an evil organization that has aspirations for world
         domination.
         
                                      JERRY SPRINGER
         And where is your father right now?
                                            
                                          SCOTT
         He's in outer space, like frozen in a giant egg and stuffed inside a Big Boy
         rocket with his cat, Mr. Bigglesworth.

                                      JERRY SPRINGER
         Really? Well, we have a surprise for you, Scott.  Let's bring out Scott's
         father, Dr Evil.

Dr Evil enters.

Lower Third Chyron: "WANTS TO TAKE OVER THE WORLD"

                                        DR. EVIL
         Hello Scott, I'm back.

                                          SCOTT
         I can't believe you'd do this to me on national television!

                                        DR. EVIL
         They offered me a free makeover.

                                      JERRY SPRINGER
         Dr. Evil, we've seen a lot of the fathers here today open up to their sons,
         sons to the fathers.  Is there anything you'd like to share?

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